{"id":51,"date":"2021-05-27T06:55:13","date_gmt":"2021-05-27T06:55:13","guid":{"rendered":"https:\/\/www.balazsveres.com\/?page_id=51"},"modified":"2022-04-04T11:23:37","modified_gmt":"2022-04-04T11:23:37","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.balazsveres.com\/?page_id=51","title":{"rendered":"CV"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” background_enable_image=”off” background_size=”contain” background_position=”bottom_right” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

BAL\u00c1ZS VERES Sculptor<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”0px||0px||false|false” custom_padding=”1vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

Born:<\/strong> 26.10.1982. in Hungary at P\u00e9cs<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” custom_margin=”1vh||||false|false” global_colors_info=”{}”]E-mail:<\/strong> balo1026@gmail.com<\/a>[\/et_pb_text][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” custom_margin=”1vh||||false|false” global_colors_info=”{}”]Phone:<\/strong> +36 20 227-0427<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”5vh||0px||false|false” module_alignment_tablet=”” module_alignment_phone=”” module_alignment_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

EDUCATION<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” custom_css_main_element=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n
2002-2007<\/td>\nUniversity of P\u00e9cs Faculty of Arts and Sculpture<\/td>\n<\/tr>\n
2001-2002<\/td>\nAcquisition of leatherware<\/span><\/td>\n<\/tr>\n
1997-2001<\/span><\/td>\nGraduation and Graduation degree in P\u00e9cs Arts In vocational secondary school<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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SCHOLARSHIPS \/ GRANTS \/ AWARDS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16.0″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” hover_enabled=”0″ custom_css_main_element=”||” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2022<\/td>\nNKA, National Cultural Foundation, creative support<\/span><\/td>\n<\/tr>\n
2021<\/td>\nNKA, National Cultural Foundation, creative support<\/span><\/td>\n<\/tr>\n
2020<\/td>\nNKA, National Cultural Foundation, creative support<\/span><\/td>\n<\/tr>\n
2019<\/td>\nNKA, National Cultural Foundation, creative support<\/span><\/td>\n<\/tr>\n
2016-2018<\/span><\/td>\nGyula Derkovits Fine Arts scholarship<\/span><\/td>\n<\/tr>\n
2015<\/span><\/td>\n1st National Statuette Quadrilateral, Hungarian Academy of Fine Arts and Crafts Association<\/span><\/td>\n<\/tr>\n
2014<\/span><\/td>\nNKA, National Cultural Foundation, creative support<\/span><\/td>\n<\/tr>\n
2011<\/span><\/td>\nTechnical Innovation Application, 1st place. Bal\u00e1zs R. Nagy with a technical student, „Double-curved concrete shutter systems in art and architecture”, University of Technology, Budapest<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\n„Szigetmonostor\u00e9rt” memorial plaque contest, Place I.<\/span><\/td>\n<\/tr>\n
2008<\/span><\/td>\nJazzy Design Competition Special Prize<\/span><\/td>\n<\/tr>\n
2006<\/span><\/td>\nDanube-Dr\u00e1va Cement Factory, Creation of a Public Works 1st place<\/span><\/td>\n<\/tr>\n
2005<\/span><\/td>\nXXVII. OTDK, III. place, „Enter”. work, sculpture section, Szeged<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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SOLO EXHIBITIONS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” custom_css_main_element=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n
2020<\/td>\nFull concrete<\/strong>, Nick Art gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2008<\/td>\nVas-Beton<\/strong>, exhibition with Ferenc Hack sculptor, VAM ART gallery, Budapest<\/span><\/td>\n<\/tr>\n
2000<\/span><\/td>\nMy statues and my works<\/strong>, Baranya County Cultural Center Institute, P\u00e9cs<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”5vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16.0″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” hover_enabled=”0″ custom_css_main_element=”||” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2021<\/td>\nKontaktusok<\/strong>, V. Biennale of sculptor, M\u0171v\u00e9szetmalom, Szentendre <\/span><\/td>\n<\/tr>\n
<\/td>\nStatues in the garden<\/strong>, MANK gallery, Szentendre<\/span><\/td>\n<\/tr>\n
<\/td>\nV. London Art Biennale<\/strong>, Chelsea Old Town Hall, London<\/span><\/td>\n<\/tr>\n
<\/td>\nI. K\u00e1li park of statues<\/strong>, K\u00e1li Art Inn, K\u00f6vesk\u00e1l<\/span><\/td>\n<\/tr>\n
2020<\/td>\nCovid 19<\/strong>, Nick Art gallery, P\u00e9cs <\/span><\/td>\n<\/tr>\n
<\/td>\nFarewell from the name of moggy<\/strong>, selection of Bal\u00e1zs Szluka private collection, N\u00e1dor gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n<\/strong>Bumm<\/strong>, Studio house of Budakal\u00e1sz, first group exhibition, Nick Art gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nMonitoring stand<\/strong>, Rug\u00f3gy\u00e1r gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nFaces of concrete 6.0<\/strong>, IV. Concrete colony of Szigetmonostor\u201d Nick Art gal\u00e9ria, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nSymposiom of Szigetmonostor<\/strong>, Monostori m\u0171v\u00e9sztelep v\u00e1logatott anyag, Parthenon – frieze hall, Budapest, MKE<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\nB3ton<\/strong>, selected artworks from concrete workshop of Szigetmonostor, FUGA, Budapest Centre of Architecture, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nFaces of concrete 5.0<\/strong>, exhibition about concrete statues, Nick Art Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nXX. Bienal de Arte de Cerveira<\/strong>, Villa Nova de Cerveira, Portugal<\/span><\/td>\n<\/tr>\n
<\/td>\nDERK\u00d3 2018<\/strong>, exhibition of Derkovits scholarships, M\u0171csarnok, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nPest, Paris, roofs<\/strong>, Rug\u00f3gy\u00e1r gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nOn the rocks, Artkartell collection<\/strong>, Artkartell project space, Budapest<\/span><\/td>\n<\/tr>\n
2017<\/td>\nM\u00e9lyv\u00edz, <\/strong>Derkovits scholarships, M21 Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nFaces of concrete 4.0, <\/strong>exhibition about concrete statues, Nick Art Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nOld School, <\/strong>exhibition of former PTE MK students, M21 Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nDerk\u00f3 2017, <\/strong>exhibition of Derkovits scholarships, M\u0171csarnok, Budapest<\/span><\/td>\n<\/tr>\n
2016<\/td>\nInitial Capital, <\/strong>Derkovits scholarships, M21 Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nBzzz, <\/strong>exhibition at the end of the year at Partiz\u00e1n studio and gallery, PP Center, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nDiligence, <\/strong>ArtKartell Attraction, live sculpture, Budapest Project Gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nTen, <\/strong>Selection from P\u00e9cs Artists’ Works, Renesound Gallery, Swan Court, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nFaces of concrete 3.0, <\/strong>exhibition of the material of the beton colony of Szigetmonostor, Nick Art Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\n Pop-os, <\/strong>Latarka, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nNKA Annual Report Exhibition, <\/strong>V\u00e1rkert Bazaar, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nCoverage 2, <\/strong>Umbrella Gallery, Budapest<\/span><\/td>\n<\/tr>\n
2015<\/td>\nIn the meantime<\/strong>, Partisan studio year-end report exhibition, PP Center, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\n<\/strong>sCULTURE<\/strong>, Art Market, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nFaces of concrete 2.0<\/strong>, Nick Art Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nAir<\/strong>, Selected Exhibition of Partisan Studio, PP Center, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nCoverage, <\/strong>Selected Exhibition of Partisan Studio, Ateliers Pro Arts Gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nI. National Statuette Quadrilateral, <\/strong>Modern Hungarian Gallery, P\u00e9cs, MKISZ, II. place award<\/span><\/td>\n<\/tr>\n
2014<\/td>\nIdolatry, <\/strong>Partiz\u00e1n studio and gallery, PP Center, Budapest<\/span><\/td>\n<\/tr>\n
2013<\/td>\nP\u00e9cs-Rome Returns, <\/strong>Fonderia Association and Stampa del Tevere Association Joint Exhibition, House of Dialogue, Budapest
\n<\/strong><\/span><\/td>\n<\/tr>\n
2012<\/td>\nCast in Shape, <\/strong>Concrete Design Exhibition, Kert\u00e9sz 29 Gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nP\u00e9cs-Rome Returns, <\/strong>Fonderia Association and Stamperia del Tevere Association joint exhibition of N\u00e1dor Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2011<\/td>\nJoint exhibition of the Summer Art Colony<\/strong>, Fonderia Association, N\u00e1dor Gallery, P\u00e9cs<\/td>\n<\/tr>\n
<\/td>\nJoint Exhibition of Bazilisk<\/strong>, Fonderia Association, N\u00e1dor Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nTrust, T<\/strong>rust-P\u00e9cs sculptors „, Duna\u00fajv\u00e1ros Museum of Contemporary Art<\/span><\/td>\n<\/tr>\n
2010<\/td>\n21 Dialogue-Public Art – <\/strong>Instruments c. work by P\u00e9ter Szalay, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2009<\/td>\nArtistic Barrels Exhibition, <\/strong>Vylyan Winery, Kishars\u00e1ny<\/span><\/td>\n<\/tr>\n
<\/td>\nAmerigo Tot, 100th Anniversary, <\/strong>Memorial Exhibition, Fonderia Association, Arts House of P\u00e9cs<\/span><\/td>\n<\/tr>\n
2014<\/td>\nIdolatry, <\/strong>Partiz\u00e1n studio and gallery, PP Center, Budapest<\/span><\/td>\n<\/tr>\n
2013<\/td>\nP\u00e9cs-Rome Returns, <\/strong>Fonderia Association and Stampa del Tevere Association Joint Exhibition, House of Dialogue, Budapest
\n<\/strong><\/span><\/td>\n<\/tr>\n
2012<\/td>\nCast in Shape, <\/strong>Concrete Design Exhibition, Kert\u00e9sz 29 Gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nP\u00e9cs-Rome Returns, <\/strong>Fonderia Association and Stamperia del Tevere Association joint exhibition of N\u00e1dor Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2011<\/td>\nJoint exhibition of the Summer Art Colony<\/strong>, Fonderia Association, N\u00e1dor Gallery, P\u00e9cs<\/td>\n<\/tr>\n
<\/td>\nJoint Exhibition of Bazilisk<\/strong>, Fonderia Association, N\u00e1dor Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nTrust, T<\/strong>rust-P\u00e9cs sculptors „, Duna\u00fajv\u00e1ros Museum of Contemporary Art<\/span><\/td>\n<\/tr>\n
2010<\/td>\n21 Dialogue-Public Art – <\/strong>Instruments c. work by P\u00e9ter Szalay, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2009<\/td>\nArtistic Barrels Exhibition, <\/strong>Vylyan Winery, Kishars\u00e1ny<\/span><\/td>\n<\/tr>\n
<\/td>\nAmerigo Tot, 100th Anniversary, <\/strong>Memorial Exhibition, Fonderia Association, Arts House of P\u00e9cs<\/span><\/td>\n<\/tr>\n
2008<\/td>\nOmaggio a Amerigo Tot, <\/strong>exhibition, Rome-Hungarian Academy, Rome<\/span><\/td>\n<\/tr>\n
2007<\/td>\nClean Energy Award Winning Award, <\/strong>EON ZRT, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nFresh Europe, <\/strong>KOGART Gallery, Budapest<\/span><\/td>\n<\/tr>\n
<\/td>\nDiploma Exhibition, <\/strong>Hatty\u00fah\u00e1z Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
<\/td>\nBeton Today, <\/strong>exhibition and conference, Baranya County Cultural Institute, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2006<\/td>\nOpen-air Color Games, <\/strong>Exhibition of Young Artists, Croatian Theater, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2005<\/td>\nBetonkurzus, <\/strong>Department of Sculpture at P\u00e9cs University, P\u00e9cs-Istenk\u00fat<\/span><\/td>\n<\/tr>\n
<\/td>\nOTDK Exhibition, <\/strong>University of Szeged Juh\u00e1sz Gyula Teacher Training Faculty of Economics, Szeged<\/span><\/td>\n<\/tr>\n
2004<\/td>\nUltra Derm- Maximum Cleansing, <\/strong>exhibition, Approximation Gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2003<\/td>\nBronze Course, <\/strong>Art Gallery of the University of P\u00e9cs, P\u00e9cs<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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ART FAIRS, AUCTIONS<\/h2>\n

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2020<\/td>\nArt Market, Nick gallery, Budapest<\/span><\/td>\n<\/tr>\n
2020<\/td>\nSave the Nick, auction Nick gallery, P\u00e9cs<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nArt Market, by Rug\u00f3gy\u00e1r gallery, Budapest<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\nArt Market, by Rug\u00f3gy\u00e1r gallery, Budapest<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\nArt-Craft-Design, auction Smile Foundation, Budapest<\/span><\/td>\n<\/tr>\n
2017<\/span><\/td>\nArt Market, by Art Kartell studio, Budapest<\/span><\/td>\n<\/tr>\n
2016<\/span><\/td>\nArt Market, by Partiz\u00e1n studio, Budapest<\/span><\/td>\n<\/tr>\n
2015<\/span><\/td>\nArt Market, by Partiz\u00e1n studio, Budapest<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”5vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

PUBLIC WORKS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” custom_css_main_element=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n\n\n
2014<\/td>\nMih\u00e1ly Bergendi self portrait relief, bronze, Miska house, Kr\u00e1l\u2019 ova nad V\u00e1hom, Slovakia<\/span><\/td>\n<\/tr>\n
2013<\/td>\nSaint Agnes relief, bronze, Kr\u00e1l\u2019 ova nad V\u00e1hom, Slovakia<\/span><\/td>\n<\/tr>\n
2010<\/span><\/td>\n\u201dOmaggio a Amerigo Tot\u201d, group monumemnt with Fonderia association, Rome, Italy<\/span><\/td>\n<\/tr>\n
2006<\/span><\/td>\n\u201dSun Observer\u201d Beremend, Hungary<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”5vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

SYMPOSIUMS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” custom_css_main_element=”||” global_colors_info=”{}”]<\/p>\n\n\n\n\n
2016-2019<\/td>\nI-IV. Monostori concrete symposium<\/a>, Szigetmonostor, Hungary<\/span><\/td>\n<\/tr>\n
2006<\/td>\nBronze symposium, P\u00e9cs, Hungary<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”5vh||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_font=”|600|||||||” global_colors_info=”{}”]<\/p>\n

ASSOCIATIONS<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”46vw” max_width_tablet=”” max_width_phone=”80%” max_width_last_edited=”on|phone” custom_margin=”||0px||false|false” custom_padding=”1vh||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”18px” header_2_font=”|600|||||||” transform_translate=”-20px|0px” transform_translate_linked=”off” custom_margin=”||0px|0px|false|false” custom_padding=”||0vh|0px|false|false” custom_css_main_element=”||” global_colors_info=”{}”]<\/p>\n\n\n\n
2005<\/td>\nFonderia sculptor association, P\u00e9cs, Hungary<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

BAL\u00c1ZS VERES SculptorBorn: 26.10.1982. in Hungary at P\u00e9csE-mail: balo1026@gmail.comPhone: +36 20 227-0427EDUCATION 2002-2007 University of P\u00e9cs Faculty of Arts and Sculpture 2001-2002 Acquisition of leatherware 1997-2001 Graduation and Graduation degree in P\u00e9cs Arts In vocational secondary school SCHOLARSHIPS \/ GRANTS \/ AWARDS 2022 NKA, National Cultural Foundation, creative support 2021 NKA, National Cultural Foundation, creative […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51"}],"version-history":[{"count":26,"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":1353,"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=\/wp\/v2\/pages\/51\/revisions\/1353"}],"wp:attachment":[{"href":"https:\/\/www.balazsveres.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}